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Found 183 accounts out of 1,517,793 on our system.

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Tumblr, Ko-fi, Twitter, Instagram
motion@mastodon.art  [follow]
I draw sometimes.
Portfolio, Blog
mauro@mograph.social  [follow]
Motion designer, musician, Londoner, overall nerd.#music #boardgames #gaming #floss #privacy #motion #design #mograph #cgi #art #animation Pronouns=He/him XMPP=mauro@disroot.org (Omemo, please)
sikkdays@ourempty.pubCommodore Sixty Bore
info, blog, podcast, podcast
sikkdays@ourempty.pub  [follow]
Writer, video editor, motion graphics occasionally pay me. Creating art and having conversations fuel me.
sikkdays@mastodon.socialmoved 2 @sikkdays@ourempty.pub
About Page, Blog
sikkdays@mastodon.social  [follow]
Writer, video editor and motion graphics are things that pay me. Podcasting, art, & conversations with creators fuel me. Find at=https://ourempty.pub/@sikkdays Yup, moved to=https://ourempty.pub/@sikkdays
flame@merveilles.town  [follow]
Michael Christophersson— Artist, VFX Artist, Graphic Designer, Motion Designer, Colourist, Indie Dev. ΛERIF°RM site=aeriform.io moon=xı
ditzyflama@mas.toDitzyFlama :verified:
ditzyflama@mas.to  [follow]
• Motion Graphics • 3D Modeling • Artist • Animator / 🍥C Plebs / Editor for @BluesDank / http://patreon.com/DitzyFlama /
Manyvids, Clips4Sale, Twitter
eroticababes@artalley.social  [follow]
Real woman, real fetishes. Producer of high quality exclusive content. We love bouncing boobs and butts. Video and stills, slow motion is king.
kevinronceray@mamot.frKévin Ronceray
Portfolio, Pixelfed
kevinronceray@mamot.fr  [follow]
Designer Graphique et Motion • En phase de décentralisation. Gemini=gemini://gemini.kevinronceray.com/ Hyper=hyper://c00f56dbba49fdda9040e414de72ab4806efc5fc2f9c839bf484bdc47b3352bd/
bastianilso@floss.socialBastian Ilso
Homepage, Blog
bastianilso@floss.social  [follow]
Motion graphics and Onboarding designer with passion for FOSS. I contribute to GNOME Release Videos and the GNOME Newcomer Guide.
full_marx@qoto.org_the mind virus_
full_marx@qoto.org  [follow]
Artwork Credits Header : Angelina BambinaAvatar : Adolfo Arranzhe/himI wish to build something that can be of good use to as many people as possible.Social Sciences: Propaganda Science, Social Engineering, Behavioural Science, AdvertisingSTEM: Human-Computer Interaction Design and Web DevMultimedia: Motion Graphics, Video Production, Electronic Music Production, Abstract Film, WritingPolitics: Liberal but conservative economic
c@eizodon.jp  [follow]
2D/3D Motion Graphics Creator - 2D/3D映像制作Webサイト → http://cumulo.works/
ifyousayso@counter.social  [follow]
artist, advocate, mommy, here since October, but still kind of lost.*ALL FORWARD MOTION COUNTS*she/her #TheResistance #CA01 #TehamaCounty
Admin of
mauro_motion@mastodon.social  [follow]
Motion designer, musician, Londoner, nerd.#music #boardgames #gaming #foss #privacy #motion #design #mograph #cgi #art #animation Pronouns=He/him Language=EN/IT Location=London, UK
flame@sunbeam.city· flʌme ·
flame@sunbeam.city  [follow]
Michael Christophersson— Artist, VFX Artist, Graphic Designer, Motion Designer, Colourist, Indie Dev. ΛERIF°RM #merveilles moon=ıx
unlimish@mstdn.maud.io  [follow]
Motion Graphics Creator / CS LearnerAWSでおひとりさまインスタンスを建てようと企んでいる 🐦Twitter=https://twitter.com/_unlimish 🎮osu!=https://osu.ppy.sh/u/_oga 🎨Portfolio=https://unlimish.xyz 👩‍💻GitHub=https://github.com/unlimish
defy@counter.social  [follow]
motion graphics artist 🖌️musician 🎸drone builder 🚁computer scientist wannabe 🖥️cyber security practitioner 🕵️‍♂️https://www.instagram.com/defy.fpv/
nael@pachyder.me  [follow]
Motion bidouilleurhttp://www.nael-brun.comhttps://dribbble.com/naelbrun
jsto@counter.socialJessicaMae Stover ✘ ‏
jsto@counter.social  [follow]
Astral Fall author. Artemis Eternal founder. Director, Writer, Producer, Actor. SFF & Motion Pic. AF II 2020https://t.co/8XKPerUO6phttps://t.co/Ha0VQhG2th
Instagram, Twitter, Vimeo
mikelikesapples@mastodon.art  [follow]
Animator | Illustratior | Motion Graphics ArtistSci-fi is my jam right right now.
enerialufan@fosstodon.orgEneri Alufan
enerialufan@fosstodon.org  [follow]
YouTube - https://www.youtube.com/channel/UCp5qTWptfwISECrdzGeNW6gLBRY Channel - https://lbry.tv/$/invite/@EneriAlufan:eDaily Motion - https://www.dailymotion.com/enerialufanWebsite - https://nuffdailiestech.blogspot.com/PeerTube - https://devtube.dev-wiki.de/video-channels/enerialufan/videosMinds - https://www.minds.com/register?referrer=enerialufanSupport My Channel Buy me a coffeehttps://ko-fi.com/enerialufan
lacuna@beach.city  [follow]
Lacuna's embarrassing AD account. I'm a trans, non-binary, altersex software dev, currently in motion from the midwest to PNW. I dabble in Synthesizers, old computer junk, and occasionally writing. #trans #enby #furry Often NSFW, don’t follow/interact if you’re under 18. Pronouns=They/them Endocrine System=Estrogen Age=20-something See Also=ossifrage@cybre.space
skirklee@anarchism.spaceJoe Motion
skirklee@anarchism.space  [follow]
Shitposting & Socialism. He/Him Pronouns=He/Him
Website, Shop
irgendlink@fimidi.com  [follow]
Artist in Motion
benrob0329@share.tube  [follow]
Centrist Geek who loves FOSS, Photography, and Motion Graphics.
tmtrains@mastodon.technologyt m
tmtrains@mastodon.technology  [follow]
Watching slow motion technology train wrecks.he / him
Portfolio, Pixelfed
danhousch@mograph.social  [follow]
Motion graphics designer
angietaylor@mastodon.socialAngie Taylor
angietaylor@mastodon.social  [follow]
Motion graphic designer, Illustrator, author, trainer
nac@mastodon.cloud  [follow]
articulatebear@mastodon.socialMatt Rooke
articulatebear@mastodon.social  [follow]
Freelance motion graphics/illustration. Creator owned comics inc. BUBBLES O'SEVEN:SIMIAN AGENT and WESTERN
kde@mastodon.social  [follow]
interested in · motion graphics & cgi· games· design & letterpress
martmotiv@mastodon.art  [follow]
Motion graphics con software libre
cumuloworks@mastodon.xyz  [follow]
2D/3D Motion Graphics Creator - 2D/3D映像制作 | #aviutl #aftereffects #cinema4d | 作品・依頼などはWebサイトから - Visit my website for more works and infohttp://cumulo.works/
feandesign@niu.moe  [follow]
a 15-year-old computing passionate & wannabe graphic/motion/sound designer
malevolence@social.tchncs.de  [follow]
Work in two industries and the convergence of them. Motion Picture and IT (think Pixar). #node, #react, #reactnative, #filmlife, #yestheyarereal Stack=XXRN (the db and framework is not in stone) Platform=Ubuntu / Amazon Linux
shinmai@notbird.site🇸 🇭 🇮 🇳 🇲 🇦 🇮
Steam, Twitter
shinmai@notbird.site  [follow]
Peace ❤ & ☮ LoveGamedev (coder).Fluent in Python, JavaScript, C# & Java, don't hate C/C++, Assembly (6502, x86 & z80, learning M68k) or Rust, will do PHP for money if the alternative is starving.Hobbies include motion graphics (Blender) , electronic music (FL Studio or Ableton Live depending on mood), video games, comics, scifi, electronics, 3d-printing and cooking.I love all animals even though some of them scare me. I consistently cry at the end of Terminator 2. Let's be friends, maybe? they/them=http://pronoun.is/they/.../themself
bigwavetuna@mastodon.cloudBig Wave Tuna
bigwavetuna@mastodon.cloud  [follow]
Poetry in Motion...
conker@qoto.org  [follow]
there's a lot of characters to fill here.... so you can read a bit of the cars 2 script here A sleek British sports car talks directly to us in a pixilated, garbled video. He's OUT OF BREATH. Crates are visible behind him. We're in the shadowy bowels of a steel room. LELAND TURBO This is Agent Leland Turbo. I have a flash transmission for Agent Finn McMissile. SUPERIMPOSE OVER BLACK: WALT DISNEY PICTURES PRESENTS LELAND TURBO Finn. My cover's been compromised. Everything's gone pear-shaped. SUPERIMPOSE OVER BLACK: A PIXAR ANIMATION STUDIOS FILM LELAND TURBO You won't believe what I've found out here. He angles our camera view, reveals a PORTHOLE through which we can see flames rising in the distance. LELAND TURBO This is bigger than anything we've ever seen. And no one even knows it exists. Finn, I need backup. But don't call the cavalry - it could blow the operation. And be careful. It's not safe out here! ANGRY VOICES O.S. Time for Turbo to go. LELAND TURBO Transmitting my grids now. Good luck! Coordinates appear: 40 6.80' N - 172 23.84' W TITLE CARD: CARS 2 EXT. SOMEWHERE IN THE NORTH PACIFIC - NIGHT A TINY CRAB BOAT (CRABBY) crests over massive swells. CRABBY Alright buddy, we're here. Right where you paid me to bring you. Question is, why? A metallic blue sports car, circa the `60s, emerges from the 2. shadows. Cagey, smooth, he'd turn heads driving through any intersection in the world. Meet FINN MCMISSILE. FINN I'm looking for a car. CRABBY A car? Hey pal, you can't get any further away from land than out here. FINN Exactly where I want to be. CRABBY Well I got news for you, buddy. There's nobody out here but us. Suddenly, a HORN -- a COMBAT SHIP, the size of most cruise ships. FINN quickly backs into the shadows, out of sight. COMBAT SHIP What are you doing out here? CRABBY What does it look like, genius? I'm crabbing! COMBAT SHIP Well turn around and go back where you came from. CRABBY Yeah? And who's gonna make me? A laser sight hits Crabby between the eyes. CRABBY Alright, alright! Don't get your prop in a twist. (as he turns to leave) What a jerk. Sorry, buddy. Looks like it's the end of the line. Buddy? ON CRABBY'S DECK: Finn is gone. CUT TO: FINN - He HANGS off the side of COMBAT SHIP, clandestine. We're with Finn as the ship continues on, cuts through the darkness with purpose. Suddenly small flames appear, perhaps a knot or so away. Then WHOOSH!!! A flame rises above Finn, the ship. It illuminates an OIL DERRICK. 3. THWAP! Finn fires a GRAPPLING HOOK to the derrick and SWINGS toward it. He's going to SLAM into the side with brute force WHEN --- --- HIS TIRES sprout a magnetic exoskeleton. He STICKS to the derrick and now DRIVES VERTICALLY UP UP UP... From this vantage point, hundreds of derricks appear. EXT. PLATFORM - OIL DERRICK - MOMENTS LATER Finn approaches a loading bay from above, hides. He watches as GREMLINS, PACERS and assorted other cars scurry about. FINN (INTO RADIO) Leland Turbo, this is Finn McMissile. I'm at the rally point. Over. No response. FINN (INTO RADIO) Leland, it's Finn. Please respond. Over. AN ACCESS DOOR OPENS LOUDLY below. A boxy, monacle-wearing German car enters. This is PROFESSOR OTTO ZUNDAPP. PROFESSOR ZUNDAPP (in German and English) Too many cars here. Out of my way! FINN Professor Zundapp? PACER (O.S.) Here it is, Professor. Zundapp approaches a NOSY PACER who idles next to a CRATE. NOSY PACER You wanted to see this before we load it? PROFESSOR ZUNDAPP Ah, yes. Very carefully... A forklift opens the crate -- inside is a TV CAMERA, packed carefully in foam. Finn SNAPS PHOTOS FURIOUSLY. NOSY PACER Oh. A TV camera. What does it actually do? 4. PROFESSOR ZUNDAPP This camera is extremely dangerous. FINN (TO HIMSELF) What are you up to now, Professor? Finn, angling for a better view, FIRES SUSPENSION WIRES --- --- which sail clear to the other side of the derrick --- --- THOK! They hook tightly onto a steel girder. Finn slides out ONTO THE WIRE like an acrobat, then expels another cross-wire for support. PROFESSOR ZUNDAPP This is valuable equipment. Make sure it is properly secured for the voyage. NOSY PACER You got it. Finn LOWERS HIMSELF. He snaps more pictures. GREM (O.S.) Hey, Professor Z! Zundapp turns as a CRANE LOWERS A CAR-SIZED CRATE. GREM and ACER, an orange Gremlin and a green Pacer, flank it. GREM This is one of those British spies we told you about. ACER Yeah. This one we caught sticking his bumper where it didn't belong. Finn PRODUCES SEMI-AUTOMATIC GUNS from his side, readies himself for a tag-team spy fight with his buddy Leland. PROFESSOR ZUNDAPP Agent Leland Turbo. The crate is lifted, revealing a CRUSHED, CUBED Leland Turbo. Finn's eyes go wide. Suddenly --- WHOOOSHHH! Another derrick flame rises behind him, casts a Finn-shaped SHADOW over the Professor. He looks up. 5. PROFESSOR ZUNDAPP It's Finn McMissile! He's seen the camera! Kill him!! Finn UNLOADS with bullets as he starts to retreat --- He STOPS: BAD GUY CARS are waiting for him on the catwalk where he just came from - BLOWTORCHES ready. Finn, stuck in midair, notices an angry CRANE. Finn GRINS, having just found his escape. THWAPTHWAPTHWAP!!! Finn releases three of his four cables, swinging, Indiana Jones-style on the last one TOWARD THE CRANE --- --- where he lands on its BOOM, drives UP and LAUNCHES OFF IT where he LANDS - MOVING - onto another deck! Finn now DRIVES, spraying oil and screeching around corners. A GREMLIN in pursuit hits the oil patch, loses control --- --- and PLUMMETS OFF the side of the rig! The Gremlin FALLS... it's like an eternity... He smashes into the water and breaks into a million pieces. ON FINN - Now set upon by 20 or 30 MORE pursuing cars. He has nowhere to go but UP UP UP a ramp toward the helipad. He spies some GASOLINE BARRELS, fires a SINGLE BULLET which cuts through its leather straps, sending barrels DOWN the ramp, PAST FINN --- --- PAST the pursuing CARS --- --- to the bottom where they EXPLODE in a CHAIN REACTION back UP THE RAMP, taking out at least 15 CARS! ON THE HELIPAD - Finn blasts into view, pulls to a stop. No more road. Nowhere else to go. The 20 BAD GUY CARS that are still in pursuit surround him, fire up their blowtorches. About to pounce. Finn GRINS. The second time we've seen this grin. It means he's got something cooking. Finn's REVERSE LIGHTS appear. He DRIVES BACKWARD off the edge of the helipad to the SHOCK of the other cars. Finn falls. He turns himself so he's grill first, cleanly cutting into the water. 6. He EMERGES, now sprouting HYDROFOIL and speeds away. GREM (NONPLUSSED) Get to the boats. THE BOATS - an army of combat ships quickly DROP into the sea and CHURN WATER with unprecedented fury as they quickly make up the distance between them and Finn, FIRING BULLETS as they do so. ACER He's getting away! COMBAT SHIP Not for long. The LEAD COMBAT SHIP quietly drops a TORPEDO into the water. It skips along, connecting with Finn in his rear and EXPLODING with such force that water skyrockets into the night clouds. UNDERWATER - McMissile SINKS. Then, he blinks. He GRINS. We're starting to like this grin and what follows it. He now CONVERTS into a submarine. From his trunk he releases four DECOY tires which float to the surface like body parts. ON THE DERRICK - Professor Zundapp watches it all from far away. GREM (OVER RADIO) He's dead, Professor. PROFESSOR ZUNDAPP Wunderbar. With Finn McMissile gone, who can stop us now? EXT. RADIATOR SPRINGS - DAY TOW MATER, a rusty tow truck, putters into view. MATER Mater. Tow Mater, that's who... is here to help you! He approaches a broken-down sedan on the side of the road. He drives around to the front, catching OTIS' face for the first time. MATER Hey, Otis! 7. OTIS Hey, Mater. Gosh, I'm so sorry. I thought I could make it this time, but... (he tries to start his engine, stalls) Smooth like pudding, huh? Ah, who am I kidding? I'll always be a lemon. Mater hooks his friend and starts towing him. MATER Well dadgum, you're leaking oil again. Must be your gaskets. Hey, look on the bright side: This is your tenth tow this month, so that means it's on the house. OTIS You're the only one that's nice to lemons like me, Mater. MATER Don't sweat it. These things happen to everybody, Otis. OTIS But you never leak oil. MATER Yeah, but I ain't perfect. Don't tell nobody, but I think my rust is starting to show through. Mater and Otis drive past THE RADIATOR SPRINGS WELCOME SIGN. It has been amended to say: "Home of Lightning McQueen." OTIS Hey, is Lightning McQueen back yet? MATER Not yet. OTIS He must be crazy-excited about winning his fourth Piston Cup. Four! Wow! 8. MATER Yeah, we're so dadgum proud of him. But I sure wish he'd hurry up and get back `cause we got a whole summer's worth of best friend fun to make up for. Just me and -- Ahead of them, a half-mile off, a RED RACE CAR is visible. MATER --- McQueen! Mater FLOORS IT, dragging poor Otis behind him. OTIS Uh, Mater? I'm in no hurry. You don't need to go so fast! Boom! They hit a bump. Otis catches air. EXT. RADIATOR SPRINGS - DAY Lightning McQueen is surrounded by his hometown friends. LUIGI Oh, Lightning. Welcome home. FLO Good to have you back, honey. FILLMORE Congratulations, man. SARGE Welcome home, soldier. SHERIFF The place wasn't the same without you, son. LIZZIE What? Did he go somewhere? MCQUEEN It's good to be home, everybody. MATER (O.S.) McQueen! They all turn around, see Mater speeding into town, with Otis swerving behind him. MCQUEEN Mater! 9. MATER McQueen! Mater skids into main street and in one swift motion, slingshots Otis forward --- OTIS Woaahhhhh! --- right through Ramone's front door --- INT. RAMONE'S - CONTINUOUS --- where he lands perfectly on the hydraulic lift. Ramone lifts him up, routine. RAMONE Hey. How far'd you make it this time, Otis? OTIS Halfway to the county line. RAMONE Not bad, man. OTIS I know, I can't believe it either! EXT. RADIATOR SPRINGS - CONTINUOUS MATER McQueen, welcome back! MCQUEEN Mater, it's so good to see you. MATER You too, buddy. Mater and McQueen do an ELABORATE TIRE BUMP (fist bump style). MATER Oh, man. You ain't gonna believe the things I got planned for us. Everyone watches as the tire bump continues. MACK (to Lizzie, an aside) These best friend greetings get longer every year. 10. MATER (TO MCQUEEN) You ready to have some serious fun? MCQUEEN Well, actually I've got something to show you first. INT. RADIATOR SPRINGS MUSEUM - DAY CLOSE ON THE PISTON CUP. It has now changed, been adorned with a small likeness of Doc. It says "Hudson Hornet Piston Cup." MATER Wow. I can't believe they renamed the Piston Cup after our very own Doc Hudson. McQueen and Mater are alone, the museum closed to the public. McQueen approaches a "Hudson Hornet" wall with Doc's three Piston cups, framed articles, other racing ephemera. MCQUEEN I know Doc said these things were just old cups, but to have someone else win it just didn't feel right, you know? MATER Well, Doc would've been real proud of you. That's for sure. McQueen takes this in. EXT. RADIATOR SPRINGS - LATER McQueen and Mater exit the Doc Hudson Museum. MCQUEEN Alright, pal. I've been waiting all summer for this. What've you got planned? MATER You sure you can handle it? MCQUEEN Come on, you know who you're talking to? This is Lightning McQueen. I can handle anything. 11. EXT. RADIATOR SPRINGS - DAYMater and McQueen roll on an old train track, their tires off. They're on their rims. MCQUEEN Uh.... Mater?! MATER Just remember, your brakes ain't gonna work on these! As they head INTO A DARK TUNNEL --- MCQUEEN (O.S.) Mater! MATER (O.S.) Relax, these train tracks ain't been used in years! From inside the tunnel a loud TRAIN HORN. The two friends emerge, going as fast as they can on train tracks, uphill, with no tires. MCQUEEN Come on, come on! Faster, faster! Moments later a harmless GALLOPING GOOSE appears, oversized horn visible, cackling and laughing at his prank. EXT. FIELD - OUTSIDE RADIATOR SPRINGS - LATER An ENORMOUS EARTH MOVER sleeps. McQueen and Mater sneak up. MATER This is gonna be good! They blow their horns and he TIPS OVER, tractor-tipping style. They LAUGH at the gag, but soon realize the earth mover's GIANT EXHAUST PIPE is directly above them. MATER Uh-oh. This ain't gonna be good. The exhaust pipe BELCHES. McQueen and Mater are BLASTED out of view. INT. RADIATOR SPRINGS - DUSK The sun sets. McQueen and Mater roll into town. McQueen looks exhausted. Mater is still full of energy. 12. MATER Boy, this was the best day ever! And my favorite souvenir? Mater proudly shows off a dent. MATER This new dent! MCQUEEN Boy, Mater. Today was, uh... MATER Shoot, that was nothing. Wait til you see what I got planned for tonight. MCQUEEN Mater, Mater. Whoa. I was kind of thinking of just a quiet dinner. MATER That's exactly what I was thinking. MCQUEEN No, I... I meant with Sally, Mater. MATER Even better! You, me and Miss Sally going out for supper. McQueen pulls around in front of Mater, stops. MCQUEEN Mater, I meant it would be just me and Sally. MATER Oh. MCQUEEN It's just for tonight. We'll do whatever you want tomorrow. MATER (DISAPPOINTED) Okay. MCQUEEN Thanks for understanding. MATER Yeah, sure. Y'all go on and have fun now. 13. MCQUEEN Alright, then. See ya soon, amigo! McQueen drives off. Mater watches him go. EXT. THE WHEEL WELL - NIGHT It's been converted into a white-tablecloth restaurant, with cars dining al fresco and a hopping gastropub inside. MCQUEEN AND SALLY have a prime table with a view of Radiator Springs and the starry night sky. SALLY This is so nice. MCQUEEN I can't tell you how good it is to be here alone. Just the two of us. Finally, you and me --- MATER (O.S.) Good evening. Mater is at their table, dressed as a waiter. MATER My name is Mater and I'll be your waiter. (TO HIMSELF) Mater the waiter. That's funny right there. MCQUEEN Mater, you work here? MATER Well yeah I work here. What'd you think, I just snuck in here when nobody was looking and pretended to be your waiter, just so I could hang out with you? McQueen and Sally exchange a look. MCQUEEN Oh, yeah. How ridiculous would that be? MATER Now, can I start you two lovebirds off with a couple drinks? 14. MCQUEEN Yes. I'll have my usual. SALLY You know what? I'm going to have that too. Mater blinks. MATER Uh, right. Your usual. CUT TO: INSIDE AT THE BAR - Fillmore and Sarge watch as Guido mixes drinks, ala "Cocktail." Mater arrives. MATER Guido! What's McQueen's usual? GUIDO (in Italian, subtitled) How should I know? MATER Perfect! Give me two of `em. SARGE Quiet! My program's on. MEL DORADO (O.S.) Tonight on "The Mel Dorado Show"! ON THE BAR TV - "THE MEL DORADO SHOW," a cable talk show, begins with file footage of MILES AXLEROD, a sleek SUV. MEL DORADO (ON TV) His story gripped the world! Oil billionaire Miles Axlerod, in an attempt to become the first car to circumnavigate the globe without GPS, ironically ran out of gas and found himself trapped in the wild! We see images of newspaper headlines, search crews. MEL DORADO (ON TV) Feared dead, he emerged 36 days later, running on a fuel he'd distilled himself from the natural elements! Since then he's sold his oil fortune, converted himself from a gas-guzzler into an electric car, and has devoted his life to finding a renewable, clean-burning fuel! 15. Images of oil derricks torn down; Miles Axlerod getting converted to electric; lab scientists testing chemicals. MEL DORADO (ON TV) Now he claims to have done it with his Allinol. Images of fields, rivers, vegetables, and mountains all combining to form the Allinol logo. MEL DORADO (ON TV) And to show the world what his new superfuel can do, he's created a racing competition like no other, inviting the greatest champions from around the globe to battle in the first ever World Grand Prix. Welcome Sir Miles Axlerod. SIR MILES AXLEROD arrives, parks across from Mel's desk. MILES AXLEROD (ON TV) Thank you, Mel. It is very good to be here. Now listen to me: Big Oil. It costs a fortune. Pollution is getting worse. I mean, come on. It's a fossil fuel. Fossil. As in dead dinosaurs. And we all know what happened to them. Alternative energy is the future. Trust me, Mel, after seeing Allinol in action at the World Grand Prix, nobody will ever go back to gasoline again. MATER (TO FILLMORE) What happened to the dinosaurs, now? MEL DORADO (ON TV) And on satellite, a World Grand Prix competitor and one of the fastest cars in the world, Francesco Bernoulli. Across the screen: LIVE FROM ROME, ITALY. We meet Formula race car FRANCESCO BERNOULLI. FRANCESCO (ON TV) It is an honor, Signore Dorado. For you. 16. MEL DORADO (ON TV) Miles, why not invite Lightning McQueen? Mater, collecting his drinks, looks up, half-intrigued. MILES AXLEROD (ON TV) Of course we invited him. But apparently after a very long racing season he is taking some time off to rest. FRANCESCO (ON TV) Lightning McQueen would not have a chance against Francesco! Mater doesn't like this. FRANCESCO (ON TV) I can go over 300 kilometers an hour! In miles that is like, uh... way faster than McQueen. MEL DORADO (ON TV) Let's go to the phones. Baltimore, Maryland, you're on the air. CALLER (ON TV) Am I on? Hello? MEL DORADO (ON TV) You're on. Go ahead. CALLER (ON TV) Hello? MEL DORADO (ON TV) Go ahead, caller. Dial tone. MEL DORADO (ON TV) Let's go to Radiator Springs. You're on, caller. MATER'S VOICE (ON TV) Yeah, that Italian feller you got on there can't talk that way about Lightning McQueen. He's the bestest race car in the whole wide world. Fillmore and Sarge look around. Mater is visible in the back of the bar on an office phone. 17. SARGE Uh-oh... FRANCESCO (ON TV) If he is, how you say "the bestest race car," then why must he rest, eh? MATER'S VOICE (ON TV) Cause he knows what's important. Every now and then he prefers just to slow down, enjoy life. FRANCESCO (ON TV) Ah, you heard it! Lightning McQueen prefers to be slow! Of course, this is not news to Francesco. When I want to go to sleep I watch one of his races. After two laps I am out cold. Audible RXNS from the bar. A crowd has been forming ever since Mater started talking. MATER'S VOICE (ON TV) That ain't what I meant. CUT TO: MCQUEEN AND SALLY - They hear the commotion inside. MCQUEEN Hey, what's going on over there? CUT BACK TO: THE BAR - Sally and McQueen push through the crowd, see that they're watching Francesco on the television. MCQUEEN (TO SALLY) Oh, it's that Italian Formula car. His name is --- SALLY Francesco Bernoulli. No wonder there's a crowd. When Sally says his name, she enunciates each part, as if Italian were her mother's tongue. MCQUEEN Wait, why do you know his name? And don't say it like that. It's three syllables, not ten. 18. SALLY What? He's nice to look at. You know, open-wheeled and all. MCQUEEN What's wrong with fenders? I thought you like my fenders. MATER'S VOICE (ON TV) Well let me tell you something else there, Mr. San Francisco --- MCQUEEN Mater? MATER'S VOICE (ON TV) McQueen could drive circles around you. FRANCESCO (ON TV) Driving in circles is all he can do, no? MATER'S VOICE (ON TV) No! I mean yes. I mean he could beat you anywhere, anytime, any track. On McQueen - he looks at Guido who gives a nod over to --- --- Mater, turned away from the crowd, still on the phone. FRANCESCO (ON TV) Mel, can we move on? Francesco needs a caller who can provide a little more intellectual stimulation. Like a dump truck. ON MCQUEEN. He doesn't like this at all. MATER Ha ha! That shows what you know. Dump trucks is dumb. Suddenly, Mater is YANKED from the booth and replaced by McQueen. MCQUEEN (INTO PHONE) Yeah, hi, this is Lightning McQueen. Look, I don't appreciate my best friend being insulted like that. 19. FRANCESCO (ON TV) McQueen! That was your best friend? This is the difference between you and Francesco. Francesco knows how good he is. He does not need to surround himself with tow trucks to prove it. MCQUEEN Those are strong words from a car that is so fragile. FRANCESCO (ON TV) Fragilé!? He calls Francesco fragilé? Not so fast, McQueen! MCQUEEN "Not so fast." What is that, your new motto? Francesco goes ballistic in Italian. They cut his mic. MILES AXLEROD (ON TV) Well, this sounds like something that needs to be settled on the race course. What do you say, Lightning McQueen? We've still got room for one more racer. MCQUEEN Well, I would love to. The only thing is my crew's off for the season so --- A sound O.S. McQueen turns to see Fillmore, Sarge and Luigi flank a tablecloth which is hanging off the bar. Ramone backs away, having spray painted "TEAM LIGHTNING MCQUEEN" on it. Guido quickly uncorks three wine bottles. GUIDO Pit stop. McQueen turns back to the phone. MCQUEEN You know what? They just got back. Deal me in, baby. Ka-chow! The place ERUPTS IN CHEERS. MOMENTS LATER - General excitement as McQueen exits the phone booth where Sally waits. Off her look: 20. MCQUEEN I know, I know. I just got back. But we won't be long and --- SALLY Oh, no, don't worry about me. I've got enough to do here. Mater's going to have a blast though. (off McQueen's silence) You're bringing Mater, right? You never bring him to any of your races. McQueen turns to the bar where Mater privately tries their drinks, hates it, spits it back in the glass. SALLY Just let him sit in the pits, give him a headset. C'mon, it'll be a thrill of a lifetime for him. Mater arrives. MATER Your drinks, sir. MCQUEEN Mater. MATER I didn't taste it! MCQUEEN How'd you like to come and see the world with me? MATER You mean it? MCQUEEN You got me into this thing. You're coming along. BEGIN MONTAGE: - McQueen is given a new paint job and headlights by Ramone. Mater, now sporting a "Team McQueen" emblem, seems psyched as well. - An airport DEPARTURES SIGN advertises the next flight: Tokyo, Japan. - Mater waves goodbye with his hook alongside McQueen, Guido, Luigi, Fillmore and Sarge as --- 21. --- the rest of Radiator Springs watches them board a plane. Red bawls. - IN THE JET, LATER. McQueen and Mater are the only ones awake, watch an insane Japanese game show. - JAPAN AT NIGHT. A stylish Tokyo cityscape of neon, glamour, scrolling billboards, vending machines and high-tech skyscrapers. - INSIDE A SOUVENIR SHOP loaded with McQueen toys: Mater and McQueen enter. A tourist sees McQueen and faints. - A KABUKI THEATER. Team McQueen watches a methodical dance. Mater, dressed in Kabuki makeup, arrives. He looks insane. - A SUMO MATCH - Two SUZUKI SAMURAI CARS wrestle over a parking space. Mater, now in his element, cheers. The MONTAGE ENDS on this high note as we CUT TO --- EXT. MUSEUM - TOKYO - NIGHT ---- TEAM MCQUEEN, as they roll up the red carpet. Press is held at bay behind ropes. WORLD GRAND PRIX and ALLINOL logos are strategically placed for maximum press exposure. RACERS are interviewed by press behind the red-carpet ropes. INT. TOKYO MUSEUM - NIGHT Team McQueen enters via a second floor landing which overlooks a massive indoor party in a converted museum. As they roll down a ramp to the party, they are awed. LUIGI Guido, look! Ferraris and tires! Let's go! MCQUEEN (IMPRESSED) Hey, look at this. Okay now Mater, remember: best behavior. MATER You got it, buddy. Hey, what's that? He sees something, peels away. MCQUEEN Mater! LEWIS HAMILTON Hey, McQueen, over here! 22. It's fellow racers JEFF GORVETTE and LEWIS HAMILTON. McQueen now has no choice but to let Mater go. MCQUEEN Hey, Jeff. Lewis! CUT TO: MATER as he approaches a GLASS-ENCLOSED ROCK GARDEN where a pitty RAKES rocks with precision. He knocks on the glass with his hook. MATER Hey! You done good! You got all the leaves! People turn at the noise he's making. CUT BACK TO: MCQUEEN, JEFF and LEWIS. JEFF GORVETTE Check out that tow truck. LEWIS HAMILTON I wonder who that guy's with? MCQUEEN Will you guys excuse me just for one little second? He zips over to Mater's side, quickly pulls him out of sight. MCQUEEN Mater, listen. This isn't Radiator Springs. MATER You're just realizing that? Boy, that jet-lag really done a number on you. MCQUEEN Mater, look -- things are different over here. Which means maybe you should, you know, act a little different too. MATER Different than what? MCQUEEN Well, just... help me out here, buddy. I --- 23. MATER You need help? Shoot, why didn't you just say so? That's what a tow truck does. Hey, looky there, it's Mr. San Francisco! FRANCESCO is visible across the room, holding court. MATER I'll introduce you. MCQUEEN Mater, no. MATER (already on his way) Look at me -- I'm helping you already! On FRANCESCO - MOMENTS LATER. Mater approaches, giddy. MATER Hey Mr. San Francisco, I'd like you to meet --- FRANCESCO Lightning McQueen! Buona sera. MCQUEEN Nice to meet you, Francesco. FRANCESCO Yeah, nice to meet you too. You are very good-looking. Not as good as I thought, but you're good. MATER (TO FRANCESCO) Excuse me. Can I get a picture with you? FRANCESCO Anything for McQueen's friend. As Mater poses for a photo with Francesco: MATER Miss Sally is gonna flip when she sees this. She's Lightning McQueen's girlfriend. FRANCESCO Oooh. 24. MATER She's a big fan of yours. FRANCESCO Hey, she has good taste. MCQUEEN Mater's prone to exaggeration. I wouldn't say she's a "big" fan. MATER You're right. She's a huge fan. She goes on and on about your open wheels here. MCQUEEN Mentioning it once doesn't qualify as going "on and on." FRANCESCO Francesco is familiar with this reaction to Francesco. Women respect a car that has nothing to hide. MCQUEEN Yeah, uh... FRANCESCO Let us have a toast. McQueen doesn't like where this is going, covers. MCQUEEN Let's. FRANCESCO (raising a drink) I dedicate my win tomorrow... to Miss Sally. MCQUEEN Oh, sorry. I already dedicated MY win tomorrow to her. So if we both do it, it's really not so special. Besides, I don't have a drink. MATER I'll go get you one. You mind if I borrow a few bucks for one of them drinks? 25. MCQUEEN (could kill him) They're free, Mater. MATER Free? Well, shoot, what am I doing here? Mater ZIPS OFF. MCQUEEN I should probably go keep an eye on him. See you at the race. McQueen starts to leave. FRANCESCO Yes, you will see Francesco. But not like this. Francesco does a 180, so his rear end now faces McQueen. FRANCESCO You will see him like this, as he drives away from you. Francesco wears a bumper sticker that says "Ciao, McQueen!" MCQUEEN That's cute. So you had one of those made up for all the racers? FRANCESCO No. MCQUEEN Okay. He rolls off. MCQUEEN He is so getting beat tomorrow. INT. PARTY - MOMENTS LATER Lights caress the main stage where a crowd has formed. VOICE Ladies and gentlecars... Sir Miles Axlerod! MILES AXLEROD drives through an infinity fountain, appears. 26. MILES AXLEROD It is my absolute honor to introduce to you the competitors in the first-ever World Grand Prix. From Brazil. Number eight... ON FINN MCMISSILE. He appears from the shadows, keeps a careful distance from the stage. He ZEROES HIS GAZE ON --- --- THE WORLD GRAND PRIX TV CAMERAS which roll, catching Miles Axlerod's speech for publicity and posterity. Finn's ONBOARD COMPUTER ANALYZES each one, compares to the photos we saw him snap on the oil platform. Each one is "NOT A MATCH." His view is suddenly disrupted by A BEAUTIFUL SPORTS CAR. She approaches Finn. Meet HOLLEY SHIFTWELL. HOLLEY A Volkswagen Karmann Ghia has no radiator. FINN That's because it's air-cooled. HOLLEY I'm Agent Shiftwell, Holley Shiftwell from the Tokyo Station. I have a message from London. FINN Not here. (LOUDLY) You must try the canapes on the mezzanine! He moves her onto an elevator. The doors close on them. IN THE ELEVATOR, GOING UP. FINN So the lab boys analyzed the photo I sent? What did they learn about the camera? HOLLEY It appears to be a standard television camera. They said if you could get closer photos next time, that would be great. FINN This was London's message? 27. HOLLEY Oh -- no, no. No sir. Um, the oil platforms you were on? Turns out they're sitting on the biggest oil reserve in the world. FINN How did we miss that? HOLLEY They'd been scrambling everyone's satellites. The Americans actually discovered it just before you did. They placed an agent on that platform, under deep cover. He was able to get a photo of the car who's running the entire operation. The doors OPEN and they exit onto the Mezzanine. FINN Who is it? Has anyone seen the photo yet? HOLLEY No, not yet. The American is here tonight to pass it to you. He'll signal you when he's ready. FINN GOOD --- Finn suddenly STOPS COLD. FINN Oh no. Professor Zundapp is visible below them. He talks with a few Pacers and Gremlins. Finn quickly retreats into the shadows. Holley follows suit. HOLLEY What is it? FINN Change of plan. You're meeting the American. HOLLEY What, me? 28. FINN Those thugs down there were on the oil platform. If they see me, the whole mission is compromised. HOLLEY No, no. I'm technical, you see. I'm in Diagnostics. I'm not a field agent. FINN You are now. CUT TO: MATER as he grabs a drink, keeps moving. MATER I'll take one of them. He snatches it, drops it in the back where we now see a large assortment of drinks balanced. MATER Never know which one McQueen'll have a hankering for. He approaches a sushi bar. MATER Hey, what you got here that's free? How about that pistachio ice cream? He refers to wasabi, of course. SUSHI CHEF No, no. Wasabi. MATER Oh, same ol', same ol'. What's up with you? That looks delicious. The chef starts to carve a small scoop aside for Mater. MATER Uh, a little more, please. It is free, right? (the chef adds more) Keep it coming. A little more. Come on, let's go, it's free! You're getting there... Scoop scoop! The chef gives in. Scoops a baseball-sized ball out. 29. MATER There you go. Now THAT's a scoop of ice cream. SUSHI CHEF (in Japanese, subtitles) My condolences. CUT BACK TO: MILES AXLEROD - He's now nearly done with his intros. MILES AXLEROD ... and now, our last competitor --- Number 95, Lightning McQueen! MCQUEEN approaches the microphone, flashes his headlights. MCQUEEN Thank you so much for having us, Sir Axlerod. I really look forward to racing. This is a great opportunity. MILES AXLEROD Oh, the pleasure is all ours, Lightning. You and your team bring excellence and professionalism to this competition. As if on cue, Mater arrives with a piercing scream of pain. Everyone turns as he charges head first toward the stage, making a bee-line for that FOUNTAIN. MATER Somebody get me water! He laps up water from the fountain like a diabetic cat. MATER (LAPPING WATER) Sweet relief... Miles Axlerod is shocked. The crowd can't believe it. Francesco cackles. Mater, now sated, approaches the mic. MATER (to the crowd) Whatever you do, do not eat the free pistachio ice cream. It has turned! MCQUEEN Sir Axlerod, I can explain. This is Mater. 30. MILES AXLEROD I know him. This is the bloke that called into the television show. (TO MATER) You're the one I have to thank. MATER No, thank you. This trip's been amazing. MILES AXLEROD (TO MCQUEEN) He's a little excited, isn't he? TILT DOWN to reveal a pool of oil beneath Mater. MCQUEEN Mater! MATER But wait, I... oh, shoot. McQueen quickly pulls Mater aside, out of earshot of Miles Axlerod and the others. McQueen is beside himself. MCQUEEN Mater, you have to get a hold of yourself. You're making a scene. MATER But I never leak oil. Never. MCQUEEN Go take care of yourself right now. Mater drives off. ON MATER - MOMENTS LATER He drives through the party, frantic. MATER Coming through! Excuse me, leakin' oil. Where's the bathroom? Thank you. I gotta go! Someone points Mater down a hallway. He whips around the CORNER --- --- and STOPS. Finds himself in front of TWO BATHROOM DOORS, neither of which clearly indicate MALE or FEMALE. 31. MATER (CONFUSED) What the... Mater chooses one, drives inside. A SHRIEK is heard and Mater zips out. MATER Sorry ladies! He heads into the other door --- CUT TO: INT. MEN'S ROOM - NIGHT Mater rolls in, still `holding it in' like a kid. MATER I never leak I never leak I never leak... He sees someone leaving a stall. He heads in. IN THE STALL - Mater enters, looks up. MATER Wowee... The stall is a complicated apparatus with buttons and lights. High-tech Japanese. It suddenly GRABS MATER, hoists him up as if he's going to get an oil change. MATER What in the--- A Japanese style cartoon CARICATURE appears on a TV MONITOR, followed by images of waterfalls and rivers. MATER (GIGGLING) Hey, that tickles. The caricature starts talking in Japanese. Suddenly WATER FIRES UP underneath Mater's undercarriage, goosing him. He freaks out. OUTSIDE THE STALL - With Mater's yells audible we see a GREMLIN enter, furtive. Suddenly, inexplicably, his frame BREAKS APART like an egg, revealing an AMERICAN MUSCLE CAR underneath. The pieces of the Gremlin disappear under him, clearly his disguise. This is ROD REDLINE - American Agent. 32. ROD REDLINE Okay, McMissile. I'm here. It's time for the drop. INT. PARTY - SAME HOLLEY, rolls along by herself. Nervous. DING! Her rearview monitor springs to life.HOLLEY (INTO RADIO) The American has activated his tracking beacon. FINN (OVER RADIO) Roger that. Move in. INT. BATHROOM - SAME Rod Redline, waiting at a sink, feels a presence behind him. GREM and ACER have entered, hesitate briefly when they see Rod Redline. Rod Redline, careful, slides a gun out of his tire. He is suddenly CHARGED by the AMCs --- Rod SPINS AROUND and bird.com=@conknet_ discord=conk#0001
gabe@bitcoinhackers.orgGabriel Vincent Moon
gabe@bitcoinhackers.org  [follow]
Motion Design GeneralistAvailable for freelance. Email=gabe@gabe.mn Skype=gabemoon Twitter=gvmoon
kde@chaos.social  [follow]
interested in · html & css· motion graphics & cgi· games · design & letterpress Pronouns=he/him
adamthesak@mastodon.socialAdam the Sak
adamthesak@mastodon.social  [follow]
Music-maker of Science ow.ly/iLO330fY0Sv & Star Trek ow.ly/4l9h303iR4v | Motion-graphic animatorhe/him
bigwavetuna@mastodon.socialBig Wave Tuna
bigwavetuna@mastodon.social  [follow]
Poetry in motion... https://www.youtube.com/channel/UCJusdq7ytYLruBDMPEXdGhg Americana=
grubernitsch@mastodon.social  [follow]
Motion graphics person who reads research during preview renders | Hegelian
somari@mastodon.cloudConrad 🎴
somari@mastodon.cloud  [follow]
It is by will alone I set my mind in motion. Pronouns=he/him Seeking=Pizza
agencia@news.ganeshapress.netAgência Ganesha
agencia@news.ganeshapress.net  [follow]
A Ganesha é uma Agência Digital com foco na produção de conteúdo nos formatos de texto, web vídeo, ilustração digital e motion graphic. Também produzimos sites, marketing digital e atuamos na cobertura de eventos utilizando técnicas de jornalismo móvel.
chimerassb@artalley.social  [follow]
Hoilo fellow ivory tusked marxists.Project M enthusiast, motion designer, animator, and compositor. Works at fun-loving company for some shows about murder.WATCH CASTLEVANIA AND SEIS MANOS -- BOTH ON NETFLIX!!! Twitter:=https://twitter.com/ChimeraSSB
corporategiant@socel.net  [follow]
Animator, Illustrator, Motion Graphics Designer. Working and living in Dorking, Surrey.www.corporategiant.co.uk
cw@misskey.io  [follow]
Motion Designer / 3DCG Generalist
motion_db@mastodon.social  [follow]
nosreffek@mastodon.social  [follow]
O que quer que aconteça, acontece.Apaixonado por arte e suas diversas formas de expressão. Aspirante a escritor, músico, ilustrador, motion designer e editor de vídeo.Sempre tentando aprender ao máximo. Pronome:=(Ele/Dele)
jonah@mstdn.socialJonah Th' Mole Motion Whatever
Bandcamp, IG, Soundcloud, YouTube
jonah@mstdn.social  [follow]
Hello, it's me, the multiple personalities known as Th' Mole, Whatever Your Heart Desires, DJ 0.000001, Jonah Brown, Chip The Black Boy, Motion Recordings, etc. My music's at http://thmole.bandcamp.com.
mlemdigo@yiff.lifechaos mlemeralds 🦈
mlemdigo@yiff.life  [follow]
:over18:---- please i beg u boost my hornt poasts- shitpost ahead, yield to gays in motion- ass- sprinkle tiddy- spacewoff- please first interact before following. I will deny all requests otherwise pronouns=gay life=gay gay=gay ass=posting
poweredbylemons@mastodon.socialPoweredbylemons 🍋⚡✨
Gaming in Color
poweredbylemons@mastodon.social  [follow]
Just an average humanoid, living out on the edge of the North American continentI created an LGBTQ game documentary, ask me about it[he/him, cis] Mograph=Slowly working on becoming a better motion graphics artist Design=I work as a design director on a team based out of NY. We create experiences and design for client events, we build everything around them.
rebetiko@indymotion.fr  [follow]
Revue d’esthétique
rimpossible@bsd.network  [follow]
What means rIMpossible? There is a lot in ya'- a*r*e I aM possible ?- IMpossible- possible- research In Motion (formerly BlackBerry)I am an OpenBSD addict and I like all the nice guys in the community.Find me here or in IRC at #openbsdI am also into micro electronics. Location=Brussels, Belgium LANG==DE, EN, NL, FR, ES, IT, RU Pronoun=He/Him Relationship=§%±{error42?*=¿$”~
thegreatszalam@mograph.social  [follow]
3d animator and motion graphics artist. Adobe Community Professional and active in many mograph forums, chats, reddits, etc..
yastah@mastodon.socialyastah Design
yastah@mastodon.social  [follow]
Motion Designer
anthonyirl@mastodon.social  [follow]
Developer in motion. Advocate of an open source web and anti-capitalist sentiment.
conigs@mastodon.social  [follow]
Motion designer in Minneapolis
ederws@mastodon.social  [follow]
Designer gráfico, um tiquinho de motion e ainda não sei nadar. @ederws em todas as redes. 🎨
funkvessel@mograph.social  [follow]
Vector Graphics Grandmaster; NURBS freak; Radiant Silvergun acolyte; The joy of games is the perception of motion while resting. Art is just geometry
keerah@mastodon.xyz  [follow]
Just Another Motion Graphics designer #music #cg #motiongraphics #3d #redshift3d #science #space #scifi
martaggcom@mastodon.socialMarta García
martaggcom@mastodon.social  [follow]
Grafista // Motion grapher
moebocop@mograph.social  [follow]
2D/3D Motion Artist/Instrumentalist(I also love Donkey Kong and coffee flavored ice-cream)
xeno_channel@peertube.socialThings in Slow Motion
xeno_channel@peertube.social  [follow]
Various stuff in slow motion.
98e8e3ac-bc25-402e-9006-de6dddb4f323@peertube.mastodon.hostBrickfilms - stop motion animations
98e8e3ac-bc25-402e-9006-de6dddb4f323@peertube.mastodon.host  [follow]
agencia@ganeshapress.netAgência Ganesha
agencia@ganeshapress.net  [follow]
A Ganesha é uma Agência Digital com foco na produção de conteúdo nos formatos de texto, web vídeo, ilustração digital e motion graphic. Também produzimos sites, marketing digital e atuamos na cobertura de eventos utilizando técnicas de jornalismo móvel.
ajanosz@mastodon.socialAxel Janosz
ajanosz@mastodon.social  [follow]
Motion Design / Graphic Design student
andresarosemena@mastodon.socialAndrés Arosemena
andresarosemena@mastodon.social  [follow]
Video Production & Post / Motion Design & VFX
artgreen@artalley.socialVital Artery
artgreen@artalley.social  [follow]
Motion Graphics, Oil Paint, Photography, Sculpture and a BMW R9T
baharv89@mastodon.cloudBevibel Harvey (rabid squirrel
website, patreon
baharv89@mastodon.cloud  [follow]
Line Rider artist, with a day job in technical theater and interests in art philosophy, motion graphics, virtual choreography, synesthesia, and art that makes me feel things pronouns=they/them
balynt@mstdn.social  [follow]
Just got over here from the birdy-site. No idea what's what. PhD student=biomechatronics research=human motion work=agro earth observation love=sustainability
etome@mastodon.socialTom Erdmann
etome@mastodon.social  [follow]
Trying to greet the day and night with joy || location & motion & time @ apple
five31@mograph.socialLiam clisham
five31@mograph.social  [follow]
Motion Design around the Baltimore region
fxshot@tabletop.socialMark Andrews
fxshot@tabletop.social  [follow]
App Developer / Motion Graphics Artist / 3D Modeling and Animation Graphics=www.markandrewsgraphics.com Bricka=www.brickathegame.com
justinyounger@social.targaryen.houseJustin Younger
justinyounger@social.targaryen.house  [follow]
Overlord of TheBanditryCo / Animation & Motion Graphics & 3D & Sculpting & Complaining
Website, GitHub, YouTube, Twitch
knaque@fosstodon.org  [follow]
I'm the guy that practiced 10,000 kicks once. Mediocre Graphic Designer / Motion Designer / Video Editor / Music Producer / Software Developer
marcelbechler@mastodon.cloudMarcel ☁︎
marcelbechler@mastodon.cloud  [follow]
i like creating ✏️ - UI/UX Design - Motion Design - Photography - Illustration
motion_db@mamot.fr  [follow]
suninone@mastodon.social  [follow]
Sun-In-One™ Solar Street Lights are a reliable way to light any outdoor area. Intellectual Dimming and motion sensing.
taxciter@mastodon.socialThe Taxciter
taxciter@mastodon.social  [follow]
tax•cite (tak´sīt), v.t. [< Gr. taxis arrangement, division < tassein, to arrange + MF citer to cite, summon fr. L citare to put in motion, rouse, summon], 1. to employ multiple tools or means in an action usually employing a single tool or means. 2. to provide stimulation or excitation from two or more identical or similar sources.tax•ci•ter (tak´sī´ter), n. 1. a person or thing that taxcites. 2. one who uses two even though one may be quite sufficient.
vis4valentine@mograph.social  [follow]
Venezuela. Bisexual. Motion Graphic Artist.
windyandfriends@mastodon.social  [follow]
The Windy series is created by Judith Steedman and @RobinMitchell · Our stop-motion animated apps are Parents Choice Approved
aidan@mograph.social  [follow]
Animator & Motion Graphics Artist
atomic_motion@phreedom.tk  [follow]
brownie_in_motion@mathstodon.xyz  [follow]
drawsgood@mastodon.social  [follow]
I am a freelance illustrator and motion designer
fabdesign@mastodon.cloudFab Design
fabdesign@mastodon.cloud  [follow]
Animation & Motion Design Studio / We move things. And make things that move you. / Find more about us: http://www.fabdesign.info
giugitzu@artalley.social  [follow]
She/her/gattograsso× Illustrator/visual designer/3D× Serie tv/videogame addicted × Milan ☉ tauro ☽ scorpio× INTP-T/INFP × Intersectional feminist Pronouns=She/her/they 🌷 Jobs=Illustration, motion graphic designer, 3D artist 🦦 Commission=Open ✨ Shop online=https://www.redbubble.com/people/Feliss/shop?asc=u
kovacsodoherty@mastodon.cloudKata Kovács and Tom O’Doherty
kovacsodoherty@mastodon.cloud  [follow]
Sound · Time · Motion
kreationen@antabaka.me  [follow]
Antes que todos hola, quien hubiera pensado que todo se hubiera ido a la M/£#*@, bueno iniciemos,-¿Quien eres?, Una persona comun y corriente,,-En serio, y que haces?, Pues bueno escribo,- Escribes, vaya de eso se puede vivir?, Pues si, por venta de ebooks en Amazon, -Sorprendente, entonces que generos escribes-, En geneal escribo mas fantasia, pero tambien escribo satiras utopicas y distopicas, tambien algo de realidad fantastica, y a veces terror o poemas-Eso seria todo?-,Si, CHAO,-Bye- Escritor Amteur=Generos: Fantasia, Aventura, Realidad Fantastica y Satiras Futuristas Fanatico De La Animacion=Caricaturas, Animes, 3D, Stop Motion, Etc Futuro Empresario=Espero que se cumpla 😥😥😥, ok no si se cumplira con fé, 😉😉😀😁😁😁
les@mastodon.art  [follow]
Completing my BFA in Animation May 2019! I do stop motion and build puppets. uhhh i like 90s rock music and ancient Rome. :'p
martinweber@mastodon.funMartin Weber
martinweber@mastodon.fun  [follow]
Husband, Father, Computer graphics developer and CG artist. Working on realtime rendering for motion design.
maux@mastodon.art  [follow]
2D/3D generalist & Motion.And concepts, sometimes.
miguelgomezeu@mastodon.socialMiguel Gómez
miguelgomezeu@mastodon.social  [follow]
Marketing Manager | VFX | Audiovisual | Vídeo | Motion Graphics | Adobe After Effects | WordPress | Comunicación.
motionartsnl@libranet.deCircus, Flow, Juggling, Motion Arts NL
motionartsnl@libranet.de  [follow]
About=This is a forum for motion arts and related disciplines to share their passion and meet up in and around the Netherlands.
Pixelfed, Itch.Io
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I am a Motion Graphic Designer/Animator/Illustrator/Game Developer who is living on the planet earth. #Art #Blender #Blender3D #ConceptArt #Animation Website=www.newyearstudios.com
pulitzerprize@mastodon.socialBiggest of Splashes
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original composure for the original motion picture star war
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Video Editing & Motion Design | Photography | Learning & Experimenting with 3D#photography #photographer #aftereffects #vfx #motiongraphics
yastahdesign@mastodon.artµastah Design
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Motion Designer
according_to_all_known_laws_of_aviation_there_is_no_way_a_bee_should_be_able_to_fly_its_wings_are_too_small_to_get_its_fat_little_body_off_the_ground_the_bee_of_course_flies_anyway_because_bees_don_t_care_what_humans_think_is_impossible@social.boosterok.comBee Movie
according_to_all_known_laws_of_aviation_there_is_no_way_a_bee_should_be_able_to_fly_its_wings_are_too_small_to_get_its_fat_little_body_off_the_ground_the_bee_of_course_flies_anyway_because_bees_don_t_care_what_humans_think_is_impossible@social.boosterok.com  [follow]
According to all known lawsof aviation,there is no way a beeshould be able to fly.Its wings are too small to getits fat little body off the ground.The bee, of course, flies anywaybecause bees don't carewhat humans think is impossible.Yellow, black. Yellow, black.Yellow, black. Yellow, black.Ooh, black and yellow!Let's shake it up a little.Barry! Breakfast is ready!Coming!Hang on a second.Hello?- Barry?- Adam?- Can you believe this is happening?- I can't. I'll pick you up.Looking sharp.Use the stairs. Your fatherpaid good money for those.Sorry. I'm excited.Here's the graduate.We're very proud of you, son.A perfect report card, all B's.Very proud.Ma! I got a thing going here.- You got lint on your fuzz.- Ow! That's me!- Wave to us! We'll be in row 118,000.- Bye!Barry, I told you,stop flying in the house!- Hey, Adam.- Hey, Barry.- Is that fuzz gel?- A little. Special day, graduation.Never thought I'd make it.Three days grade school,three days high school.Those were awkward.Three days college. I'm glad I tooka day and hitchhiked around the hive.You did come back different.- Hi, Barry.- Artie, growing a mustache? Looks good.- Hear about Frankie?- Yeah.- You going to the funeral?- No, I'm not going.Everybody knows,sting someone, you die.Don't waste it on a squirrel.Such a hothead.I guess he could havejust gotten out of the way.I love this incorporatingan amusement park into our day.That's why we don't need vacations.Boy, quite a bit of pomp...under the circumstances.- Well, Adam, today we are men.- We are!- Bee-men.- Amen!Hallelujah!Students, faculty, distinguished bees,please welcome Dean Buzzwell.Welcome, New Hive Citygraduating class of......9:15.That concludes our ceremonies.And begins your careerat Honex Industries!Will we pick ourjob today?I heard it's just orientation.Heads up! Here we go.Keep your hands and antennasinside the tram at all times.- Wonder what it'll be like?- A little scary.Welcome to Honex,a division of Honescoand a part of the Hexagon Group.This is it!Wow.Wow.We know that you, as a bee,have worked your whole lifeto get to the point where youcan work for your whole life.Honey begins when our valiant PollenJocks bring the nectar to the hive.Our top-secret formulais automatically color-corrected,scent-adjusted and bubble-contouredinto this soothing sweet syrupwith its distinctivegolden glow you know as...Honey!- That girl was hot.- She's my cousin!- She is?- Yes, we're all cousins.- Right. You're right.- At Honex, we constantly striveto improve every aspectof bee existence.These bees are stress-testinga new helmet technology.- What do you think he makes?- Not enough.Here we have our latest advancement,the Krelman.- What does that do?- Catches that little strand of honeythat hangs after you pour it.Saves us millions.Can anyone work on the Krelman?Of course. Most bee jobs aresmall ones. But bees knowthat every small job,if it's done well, means a lot.But choose carefullybecause you'll stay in the jobyou pick for the rest of your life.The same job the rest of your life?I didn't know that.What's the difference?You'll be happy to know that bees,as a species, haven't had one day offin 27 million years.So you'll just work us to death?We'll sure try.Wow! That blew my mind!"What's the difference?"How can you say that?One job forever?That's an insane choice to have to make.I'm relieved. Now we only haveto make one decision in life.But, Adam, how could theynever have told us that?Why would you question anything?We're bees.We're the most perfectlyfunctioning society on Earth.You ever think maybe thingswork a little too well here?Like what? Give me one example.I don't know. But you knowwhat I'm talking about.Please clear the gate.Royal Nectar Force on approach.Wait a second. Check it out.- Hey, those are Pollen Jocks!- Wow.I've never seen them this close.They know what it's likeoutside the hive.Yeah, but some don't come back.- Hey, Jocks!- Hi, Jocks!You guys did great!You're monsters!You're sky freaks! I love it! I love it!- I wonder where they were.- I don't know.Their day's not planned.Outside the hive, flying who knowswhere, doing who knows what.You can'tjust decide to be a PollenJock. You have to be bred for that.Right.Look. That's more pollenthan you and I will see in a lifetime.It's just a status symbol.Bees make too much of it.Perhaps. Unless you're wearing itand the ladies see you wearing it.Those ladies?Aren't they our cousins too?Distant. Distant.Look at these two.- Couple of Hive Harrys.- Let's have fun with them.It must be dangerousbeing a Pollen Jock.Yeah. Once a bear pinned meagainst a mushroom!He had a paw on my throat,and with the other, he was slapping me!- Oh, my!- I never thought I'd knock him out.What were you doing during this?Trying to alert the authorities.I can autograph that.A little gusty out there today,wasn't it, comrades?Yeah. Gusty.We're hitting a sunflower patchsix miles from here tomorrow.- Six miles, huh?- Barry!A puddle jump for us,but maybe you're not up for it.- Maybe I am.- You are not!We're going 0900 at J-Gate.What do you think, buzzy-boy?Are you bee enough?I might be. It all dependson what 0900 means.Hey, Honex!Dad, you surprised me.You decide what you're interested in?- Well, there's a lot of choices.- But you only get one.Do you ever get boreddoing the same job every day?Son, let me tell you about stirring.You grab that stick, and you justmove it around, and you stir it around.You get yourself into a rhythm.It's a beautiful thing.You know, Dad,the more I think about it,maybe the honey fieldjust isn't right for me.You were thinking of what,making balloon animals?That's a bad jobfor a guy with a stinger.Janet, your son's not surehe wants to go into honey!- Barry, you are so funny sometimes.- I'm not trying to be funny.You're not funny! You're goinginto honey. Our son, the stirrer!- You're gonna be a stirrer?- No one's listening to me!Wait till you see the sticks I have.I could say anything right now.I'm gonna get an ant tattoo!Let's open some honey and celebrate!Maybe I'll pierce my thorax.Shave my antennae.Shack up with a grasshopper. Geta gold tooth and call everybody "dawg"!I'm so proud.- We're starting work today!- Today's the day.Come on! All the good jobswill be gone.Yeah, right.Pollen counting, stunt bee, pouring,stirrer, front desk, hair removal...- Is it still available?- Hang on. Two left!One of them's yours! Congratulations!Step to the side.- What'd you get?- Picking crud out. Stellar!Wow!Couple of newbies?Yes, sir! Our first day! We are ready!Make your choice.- You want to go first?- No, you go.Oh, my. What's available?Restroom attendant's open,not for the reason you think.- Any chance of getting the Krelman?- Sure, you're on.I'm sorry, the Krelman just closed out.Wax monkey's always open.The Krelman opened up again.What happened?A bee died. Makes an opening. See?He's dead. Another dead one.Deady. Deadified. Two more dead.Dead from the neck up.Dead from the neck down. That's life!Oh, this is so hard!Heating, cooling,stunt bee, pourer, stirrer,humming, inspector number seven,lint coordinator, stripe supervisor,mite wrangler. Barry, whatdo you think I should... Barry?Barry!All right, we've got the sunflower patchin quadrant nine...What happened to you?Where are you?- I'm going out.- Out? Out where?- Out there.- Oh, no!I have to, before I goto work for the rest of my life.You're gonna die! You're crazy! Hello?Another call coming in.If anyone's feeling brave,there's a Korean deli on 83rdthat gets their roses today.Hey, guys.- Look at that.- Isn't that the kid we saw yesterday?Hold it, son, flight deck's restricted.It's OK, Lou. We're gonna take him up.Really? Feeling lucky, are you?Sign here, here. Just initial that.- Thank you.- OK.You got a rain advisory today,and as you all know,bees cannot fly in rain.So be careful. As always,watch your brooms,hockey sticks, dogs,birds, bears and bats.Also, I got a couple of reportsof root beer being poured on us.Murphy's in a home because of it,babbling like a cicada!- That's awful.- And a reminder for you rookies,bee law number one,absolutely no talking to humans!All right, launch positions!Buzz, buzz, buzz, buzz! Buzz, buzz,buzz, buzz! Buzz, buzz, buzz, buzz!Black and yellow!Hello!You ready for this, hot shot?Yeah. Yeah, bring it on.Wind, check.- Antennae, check.- Nectar pack, check.- Wings, check.- Stinger, check.Scared out of my shorts, check.OK, ladies,let's move it out!Pound those petunias,you striped stem-suckers!All of you, drain those flowers!Wow! I'm out!I can't believe I'm out!So blue.I feel so fast and free!Box kite!Wow!Flowers!This is Blue Leader.We have roses visual.Bring it around 30 degrees and hold.Roses!30 degrees, roger. Bringing it around.Stand to the side, kid.It's got a bit of a kick.That is one nectar collector!- Ever see pollination up close?- No, sir.I pick up some pollen here, sprinkle itover here. Maybe a dash over there,a pinch on that one.See that? It's a little bit of magic.That's amazing. Why do we do that?That's pollen power. More pollen, moreflowers, more nectar, more honey for us.Cool.I'm picking up a lot of bright yellow.Could be daisies. Don't we need those?Copy that visual.Wait. One of these flowersseems to be on the move.Say again? You're reportinga moving flower?Affirmative.That was on the line!This is the coolest. What is it?I don't know, but I'm loving this color.It smells good.Not like a flower, but I like it.Yeah, fuzzy.Chemical-y.Careful, guys. It's a little grabby.My sweet lord of bees!Candy-brain, get off there!Problem!- Guys!- This could be bad.Affirmative.Very close.Gonna hurt.Mama's little boy.You are way out of position, rookie!Coming in at you like a missile!Help me!I don't think these are flowers.- Should we tell him?- I think he knows.What is this?!Match point!You can start packing up, honey,because you're about to eat it!Yowser!Gross.There's a bee in the car!- Do something!- I'm driving!- Hi, bee.- He's back here!He's going to sting me!Nobody move. If you don't move,he won't sting you. Freeze!He blinked!Spray him, Granny!What are you doing?!Wow... the tension levelout here is unbelievable.I gotta get home.Can't fly in rain.Can't fly in rain.Can't fly in rain.Mayday! Mayday! Bee going down!Ken, could you closethe window please?Ken, could you closethe window please?Check out my new resume.I made it into a fold-out brochure.You see? Folds out.Oh, no. More humans. I don't need this.What was that?Maybe this time. This time. This time.This time! This time! This...Drapes!That is diabolical.It's fantastic. It's got all my specialskills, even my top-ten favorite movies.What's number one? Star Wars?Nah, I don't go for that......kind of stuff.No wonder we shouldn't talk to them.They're out of their minds.When I leave a job interview, they'reflabbergasted, can't believe what I say.There's the sun. Maybe that's a way out.I don't remember the sunhaving a big 75 on it.I predicted global warming.I could feel it getting hotter.At first I thought it was just me.Wait! Stop! Bee!Stand back. These are winter boots.Wait!Don't kill him!You know I'm allergic to them!This thing could kill me!Why does his life haveless value than yours?Why does his life have any less valuethan mine? Is that your statement?I'm just saying all life has value. Youdon't know what he's capable of feeling.My brochure!There you go, little guy.I'm not scared of him.It's an allergic thing.Put that on your resume brochure.My whole face could puff up.Make it one of your special skills.Knocking someone outis also a special skill.Right. Bye, Vanessa. Thanks.- Vanessa, next week? Yogurt night?- Sure, Ken. You know, whatever.- You could put carob chips on there.- Bye.- Supposed to be less calories.- Bye.I gotta say something.She saved my life.I gotta say something.All right, here it goes.Nah.What would I say?I could really get in trouble.It's a bee law.You're not supposed to talk to a human.I can't believe I'm doing this.I've got to.Oh, I can't do it. Come on!No. Yes. No.Do it. I can't.How should I start it?"You like jazz?" No, that's no good.Here she comes! Speak, you fool!Hi!I'm sorry.- You're talking.- Yes, I know.You're talking!I'm so sorry.No, it's OK. It's fine.I know I'm dreaming.But I don't recall going to bed.Well, I'm sure thisis very disconcerting.This is a bit of a surprise to me.I mean, you're a bee!I am. And I'm not supposedto be doing this,but they were all trying to kill me.And if it wasn't for you...I had to thank you.It's just how I was raised.That was a little weird.- I'm talking with a bee.- Yeah.I'm talking to a bee.And the bee is talking to me!I just want to say I'm grateful.I'll leave now.- Wait! How did you learn to do that?- What?The talking thing.Same way you did, I guess."Mama, Dada, honey." You pick it up.- That's very funny.- Yeah.Bees are funny. If we didn't laugh,we'd cry with what we have to deal with.Anyway...Can I......get you something?- Like what?I don't know. I mean...I don't know. Coffee?I don't want to put you out.It's no trouble. It takes two minutes.- It's just coffee.- I hate to impose.- Don't be ridiculous!- Actually, I would love a cup.Hey, you want rum cake?- I shouldn't.- Have some.- No, I can't.- Come on!I'm trying to lose a couple micrograms.- Where?- These stripes don't help.You look great!I don't know if you knowanything about fashion.Are you all right?No.He's making the tie in the cabas they're flying up Madison.He finally gets there.He runs up the steps into the church.The wedding is on.And he says, "Watermelon?I thought you said Guatemalan.Why would I marry a watermelon?"Is that a bee joke?That's the kind of stuff we do.Yeah, different.So, what are you gonna do, Barry?About work? I don't know.I want to do my part for the hive,but I can't do it the way they want.I know how you feel.- You do?- Sure.My parents wanted me to be a lawyer ora doctor, but I wanted to be a florist.- Really?- My only interest is flowers.Our new queen was just electedwith that same campaign slogan.Anyway, if you look...There's my hive right there. See it?You're in Sheep Meadow!Yes! I'm right off the Turtle Pond!No way! I know that area.I lost a toe ring there once.- Why do girls put rings on their toes?- Why not?- It's like putting a hat on your knee.- Maybe I'll try that.- You all right, ma'am?- Oh, yeah. Fine.Just having two cups of coffee!Anyway, this has been great.Thanks for the coffee.Yeah, it's no trouble.Sorry I couldn't finish it. If I did,I'd be up the rest of my life.Are you...?Can I take a piece of this with me?Sure! Here, have a crumb.- Thanks!- Yeah.All right. Well, then...I guess I'll see you around.Or not.OK, Barry.And thank youso much again... for before.Oh, that? That was nothing.Well, not nothing, but... Anyway...This can't possibly work.He's all set to go.We may as well try it.OK, Dave, pull the chute.- Sounds amazing.- It was amazing!It was the scariest,happiest moment of my life.Humans! I can't believeyou were with humans!Giant, scary humans!What were they like?Huge and crazy. They talk crazy.They eat crazy giant things.They drive crazy.- Do they try and kill you, like on TV?- Some of them. But some of them don't.- How'd you get back?- Poodle.You did it, and I'm glad. You sawwhatever you wanted to see.You had your "experience." Now youcan pick out yourjob and be normal.- Well...- Well?Well, I met someone.You did? Was she Bee-ish?- A wasp?! Your parents will kill you!- No, no, no, not a wasp.- Spider?- I'm not attracted to spiders.I know it's the hottest thing,with the eight legs and all.I can't get by that face.So who is she?She's... human.No, no. That's a bee law.You wouldn't break a bee law.- Her name's Vanessa.- Oh, boy.She's so nice. And she's a florist!Oh, no! You're dating a human florist!We're not dating.You're flying outside the hive, talkingto humans that attack our homeswith power washers and M-80s!One-eighth a stick of dynamite!She saved my life!And she understands me.This is over!Eat this.This is not over! What was that?- They call it a crumb.- It was so stingin' stripey!And that's not what they eat.That's what falls off what they eat!- You know what a Cinnabon is?- No.It's bread and cinnamon and frosting.They heat it up...Sit down!...really hot!- Listen to me!We are not them! We're us.There's us and there's them!Yes, but who can denythe heart that is yearning?There's no yearning.Stop yearning. Listen to me!You have got to start thinking bee,my friend. Thinking bee!- Thinking bee.- Thinking bee.Thinking bee! Thinking bee!Thinking bee! Thinking bee!There he is. He's in the pool.You know what your problem is, Barry?I gotta start thinking bee?How much longer will this go on?It's been three days!Why aren't you working?I've got a lot of big life decisionsto think about.What life? You have no life!You have no job. You're barely a bee!Would it kill youto make a little honey?Barry, come out.Your father's talking to you.Martin, would you talk to him?Barry, I'm talking to you!You coming?Got everything?All set!Go ahead. I'll catch up.Don't be too long.Watch this!Vanessa!- We're still here.- I told you not to yell at him.He doesn't respond to yelling!- Then why yell at me?- Because you don't listen!I'm not listening to this.Sorry, I've gotta go.- Where are you going?- I'm meeting a friend.A girl? Is this why you can't decide?Bye.I just hope she's Bee-ish.They have a huge paradeof flowers every year in Pasadena?To be in the Tournament of Roses,that's every florist's dream!Up on a float, surroundedby flowers, crowds cheering.A tournament. Do the rosescompete in athletic events?No. All right, I've got one.How come you don't fly everywhere?It's exhausting. Why don't yourun everywhere? It's faster.Yeah, OK, I see, I see.All right, your turn.TiVo. You can just freeze live TV?That's insane!You don't have that?We have Hivo, but it's a disease.It's a horrible, horrible disease.Oh, my.Dumb bees!You must want to sting all those jerks.We try not to sting.It's usually fatal for us.So you have to watch your temper.Very carefully.You kick a wall, take a walk,write an angry letter and throw it out.Work through it like any emotion:Anger, jealousy, lust.Oh, my goodness! Are you OK?Yeah.- What is wrong with you?!- It's a bug.He's not bothering anybody.Get out of here, you creep!What was that? A Pic 'N' Save circular?Yeah, it was. How did you know?It felt like about 10 pages.Seventy-five is pretty much our limit.You've really got thatdown to a science.- I lost a cousin to Italian Vogue.- I'll bet.What in the nameof Mighty Hercules is this?How did this get here?Cute Bee, Golden Blossom,Ray Liotta Private Select?- Is he that actor?- I never heard of him.- Why is this here?- For people. We eat it.You don't haveenough food of your own?- Well, yes.- How do you get it?- Bees make it.- I know who makes it!And it's hard to make it!There's heating, cooling, stirring.You need a whole Krelman thing!- It's organic.- It's our-ganic!It's just honey, Barry.Just what?!Bees don't know about this!This is stealing! A lot of stealing!You've taken our homes, schools,hospitals! This is all we have!And it's on sale?!I'm getting to the bottom of this.I'm getting to the bottomof all of this!Hey, Hector.- You almost done?- Almost.He is here. I sense it.Well, I guess I'll go home nowand just leave this nice honey out,with no one around.You're busted, box boy!I knew I heard something.So you can talk!I can talk.And now you'll start talking!Where you getting the sweet stuff?Who's your supplier?I don't understand.I thought we were friends.The last thing we wantto do is upset bees!You're too late! It's ours now!You, sir, have crossedthe wrong sword!You, sir, will be lunchfor my iguana, Ignacio!Where is the honey coming from?Tell me where!Honey Farms! It comes from Honey Farms!Crazy person!What horrible thing has happened here?These faces, they never knewwhat hit them. And nowthey're on the road to nowhere!Just keep still.What? You're not dead?Do I look dead? They will wipe anythingthat moves. Where you headed?To Honey Farms.I am onto something huge here.I'm going to Alaska. Moose blood,crazy stuff. Blows your head off!I'm going to Tacoma.- And you?- He really is dead.All right.Uh-oh!- What is that?!- Oh, no!- A wiper! Triple blade!- Triple blade?Jump on! It's your only chance, bee!Why does everything haveto be so doggone clean?!How much do you people need to see?!Open your eyes!Stick your head out the window!From NPR News in Washington,I'm Carl Kasell.But don't kill no more bugs!- Bee!- Moose blood guy!!- You hear something?- Like what?Like tiny screaming.Turn off the radio.Whassup, bee boy?Hey, Blood.Just a row of honey jars,as far as the eye could see.Wow!I assume wherever this truck goesis where they're getting it.I mean, that honey's ours.- Bees hang tight.- We're all jammed in.It's a close community.Not us, man. We on our own.Every mosquito on his own.- What if you get in trouble?- You a mosquito, you in trouble.Nobody likes us. They just smack.See a mosquito, smack, smack!At least you're out in the world.You must meet girls.Mosquito girls try to trade up,get with a moth, dragonfly.Mosquito girl don't want no mosquito.You got to be kidding me!Mooseblood's about to leavethe building! So long, bee!- Hey, guys!- Mooseblood!I knew I'd catch y'all down here.Did you bring your crazy straw?We throw it in jars, slap a label on it,and it's pretty much pure profit.What is this place?A bee's got a brainthe size of a pinhead.They are pinheads!Pinhead.- Check out the new smoker.- Oh, sweet. That's the one you want.The Thomas 3000!Smoker?Ninety puffs a minute, semi-automatic.Twice the nicotine, all the tar.A couple breaths of thisknocks them right out.They make the honey,and we make the money."They make the honey,and we make the money"?Oh, my!What's going on? Are you OK?Yeah. It doesn't last too long.Do you know you'rein a fake hive with fake walls?Our queen was moved here.We had no choice.This is your queen?That's a man in women's clothes!That's a drag queen!What is this?Oh, no!There's hundreds of them!Bee honey.Our honey is being brazenly stolenon a massive scale!This is worse than anything bearshave done! I intend to do something.Oh, Barry, stop.Who told you humans are takingour honey? That's a rumor.Do these look like rumors?That's a conspiracy theory.These are obviously doctored photos.How did you get mixed up in this?He's been talking to humans.- What?- Talking to humans?!He has a human girlfriend.And they make out!Make out? Barry!We do not.- You wish you could.- Whose side are you on?The bees!I dated a cricket once in San Antonio.Those crazy legs kept me up all night.Barry, this is what you wantto do with your life?I want to do it for all our lives.Nobody works harder than bees!Dad, I remember youcoming home so overworkedyour hands were still stirring.You couldn't stop.I remember that.What right do they have to our honey?We live on two cups a year. They put itin lip balm for no reason whatsoever!Even if it's true, what can one bee do?Sting them where it really hurts.In the face! The eye!- That would hurt.- No.Up the nose? That's a killer.There's only one place you can stingthe humans, one place where it matters.Hive at Five, the hive's onlyfull-hour action news source.No more bee beards!With Bob Bumble at the anchor desk.Weather with Storm Stinger.Sports with Buzz Larvi.And Jeanette Chung.- Good evening. I'm Bob Bumble.- And I'm Jeanette Chung.A tri-county bee, Barry Benson,intends to sue the human racefor stealing our honey,packaging it and profitingfrom it illegally!Tomorrow night on Bee Larry King,we'll have three former queens here inour studio, discussing their new book,Classy Ladies,out this week on Hexagon.Tonight we're talking to Barry Benson.Did you ever think, "I'm a kidfrom the hive. I can't do this"?Bees have never been afraidto change the world.What about Bee Columbus?Bee Gandhi? Bejesus?Where I'm from, we'd never sue humans.We were thinkingof stickball or candy stores.How old are you?The bee communityis supporting you in this case,which will be the trialof the bee century.You know, they have a Larry Kingin the human world too.It's a common name. Next week...He looks like you and has a showand suspenders and colored dots...Next week...Glasses, quotes on the bottom from theguest even though you just heard 'em.Bear Week next week!They're scary, hairy and here live.Always leans forward, pointy shoulders,squinty eyes, very Jewish.In tennis, you attackat the point of weakness!It was my grandmother, Ken. She's 81.Honey, her backhand's a joke!I'm not gonna take advantage of that?Quiet, please.Actual work going on here.- Is that that same bee?- Yes, it is!I'm helping him sue the human race.- Hello.- Hello, bee.This is Ken.Yeah, I remember you. Timberland, sizeten and a half. Vibram sole, I believe.Why does he talk again?Listen, you better go'cause we're really busy working.But it's our yogurt night!Bye-bye.Why is yogurt night so difficult?!You poor thing.You two have been at this for hours!Yes, and Adam herehas been a huge help.- Frosting...- How many sugars?Just one. I try notto use the competition.So why are you helping me?Bees have good qualities.And it takes my mind off the shop.Instead of flowers, peopleare giving balloon bouquets now.Those are great, if you're three.And artificial flowers.- Oh, those just get me psychotic!- Yeah, me too.Bent stingers, pointless pollination.Bees must hate those fake things!Nothing worsethan a daffodil that's had work done.Maybe this could make upfor it a little bit.- This lawsuit's a pretty big deal.- I guess.You sure you want to go through with it?Am I sure? When I'm done withthe humans, they won't be ableto say, "Honey, I'm home,"without paying a royalty!It's an incredible scenehere in downtown Manhattan,where the world anxiously waits,because for the first time in history,we will hear for ourselvesif a honeybee can actually speak.What have we gotten into here, Barry?It's pretty big, isn't it?I can't believe how many humansdon't work during the day.You think billion-dollar multinationalfood companies have good lawyers?Everybody needs to staybehind the barricade.- What's the matter?- I don't know, I just got a chill.Well, if it isn't the bee team.You boys work on this?All rise! The HonorableJudge Bumbleton presiding.All right. Case number 4475,Superior Court of New York,Barry Bee Benson v. the Honey Industryis now in session.Mr. Montgomery, you're representingthe five food companies collectively?A privilege.Mr. Benson... you're representingall the bees of the world?I'm kidding. Yes, Your Honor,we're ready to proceed.Mr. Montgomery,your opening statement, please.Ladies and gentlemen of the jury,my grandmother was a simple woman.Born on a farm, she believedit was man's divine rightto benefit from the bountyof nature God put before us.If we lived in the topsy-turvy worldMr. Benson imagines,just think of what would it mean.I would have to negotiatewith the silkwormfor the elastic in my britches!Talking bee!How do we know this isn't some sort ofholographic motion-picture-captureHollywood wizardry?They could be using laser beams!Robotics! Ventriloquism!Cloning! For all we know,he could be on steroids!Mr. Benson?Ladies and gentlemen,there's no trickery here.I'm just an ordinary bee.Honey's pretty important to me.It's important to all bees.We invented it!We make it. And we protect itwith our lives.Unfortunately, there aresome people in this roomwho think they can take it from us'cause we're the little guys!I'm hoping that, after this is all over,you'll see how, by taking our honey,you not only take everything we havebut everything we are!I wish he'd dress like thatall the time. So nice!Call your first witness.So, Mr. Klauss Vanderhaydenof Honey Farms, big company you have.I suppose so.I see you also ownHoneyburton and Honron!Yes, they provide beekeepersfor our farms.Beekeeper. I find thatto be a very disturbing term.I don't imagine you employany bee-free-ers, do you?- No.- I couldn't hear you.- No.- No.Because you don't free bees.You keep bees. Not only that,it seems you thought a bear would bean appropriate image for a jar of honey.They're very lovable creatures.Yogi Bear, Fozzie Bear, Build-A-Bear.You mean like this?Bears kill bees!How'd you like his head crashingthrough your living room?!Biting into your couch!Spitting out your throw pillows!OK, that's enough. Take him away.So, Mr. Sting, thank you for being here.Your name intrigues me.- Where have I heard it before?- I was with a band called The Police.But you've never beena police officer, have you?No, I haven't.No, you haven't. And so herewe have yet another exampleof bee culture casuallystolen by a humanfor nothing more thana prance-about stage name.Oh, please.Have you ever been stung, Mr. Sting?Because I'm feelinga little stung, Sting.Or should I say... Mr. Gordon M. Sumner!That's not his real name?! You idiots!Mr. Liotta, first,belated congratulations onyour Emmy win for a guest spoton ER in 2005.Thank you. Thank you.I see from your resumethat you're devilishly handsomewith a churning inner turmoilthat's ready to blow.I enjoy what I do. Is that a crime?Not yet it isn't. But is thiswhat it's come to for you?Exploiting tiny, helpless beesso you don'thave to rehearseyour part and learn your lines, sir?Watch it, Benson!I could blow right now!This isn't a goodfella.This is a badfella!Why doesn't someone just step onthis creep, and we can all go home?!- Order in this court!- You're all thinking it!Order! Order, I say!- Say it!- Mr. Liotta, please sit down!I think it was awfully niceof that bear to pitch in like that.I think the jury's on our side.Are we doing everything right, legally?I'm a florist.Right. Well, here's to a great team.To a great team!Well, hello.- Ken!- Hello.I didn't think you were coming.No, I was just late.I tried to call, but... the battery.I didn't want all this to go to waste,so I called Barry. Luckily, he was free.Oh, that was lucky.There's a little left.I could heat it up.Yeah, heat it up, sure, whatever.So I hear you're quite a tennis player.I'm not much for the game myself.The ball's a little grabby.That's where I usually sit.Right... there.Ken, Barry was looking at your resume,and he agreed with me that eating withchopsticks isn't really a special skill.You think I don't see what you're doing?I know how hard it is to findthe rightjob. We have that in common.Do we?Bees have 100 percent employment,but we do jobs like taking the crud out.That's just whatI was thinking about doing.Ken, I let Barry borrow your razorfor his fuzz. I hope that was all right.I'm going to drain the old stinger.Yeah, you do that.Look at that.You know, I've just about had itwith your little mind games.- What's that?- Italian Vogue.Mamma mia, that's a lot of pages.A lot of ads.Remember what Van said, why isyour life more valuable than mine?Funny, I just can't seem to recall that!I think something stinks in here!I love the smell of flowers.How do you like the smell of flames?!Not as much.Water bug! Not taking sides!Ken, I'm wearing a Chapstick hat!This is pathetic!I've got issues!Well, well, well, a royal flush!- You're bluffing.- Am I?Surf's up, dude!Poo water!That bowl is gnarly.Except for those dirty yellow rings!Kenneth! What are you doing?!You know, I don't even like honey!I don't eat it!We need to talk!He's just a little bee!And he happens to bethe nicest bee I've met in a long time!Long time? What are you talking about?!Are there other bugs in your life?No, but there are other things buggingme in life. And you're one of them!Fine! Talking bees, no yogurt night...My nerves are fried from ridingon this emotional roller coaster!Goodbye, Ken.And for your information,I prefer sugar-free, artificialsweeteners made by man!I'm sorry about all that.I know it's gotan aftertaste! I like it!I always felt there was some kindof barrier between Ken and me.I couldn't overcome it.Oh, well.Are you OK for the trial?I believe Mr. Montgomeryis about out of ideas.We would like to callMr. Barry Benson Bee to the stand.Good idea! You can really see why he'sconsidered one of the best lawyers...Yeah.Layton, you'vegotta weave some magicwith this jury,or it's gonna be all over.Don't worry. The only thing I haveto do to turn this jury aroundis to remind themof what they don't like about bees.- You got the tweezers?- Are you allergic?Only to losing, son. Only to losing.Mr. Benson Bee, I'll ask youwhat I think we'd all like to know.What exactly is your relationshipto that woman?We're friends.- Good friends?- Yes.How good? Do you live together?Wait a minute...Are you her little......bedbug?I've seen a bee documentary or two.From what I understand,doesn't your queen give birthto all the bee children?- Yeah, but...- So those aren't your real parents!- Oh, Barry...- Yes, they are!Hold me back!You're an illegitimate bee,aren't you, Benson?He's denouncing bees!Don't y'all date your cousins?- Objection!- I'm going to pincushion this guy!Adam, don't! It's what he wants!Oh, I'm hit!!Oh, lordy, I am hit!Order! Order!The venom! The venomis coursing through my veins!I have been felledby a winged beast of destruction!You see? You can't treat themlike equals! They're striped savages!Stinging's the only thingthey know! It's their way!- Adam, stay with me.- I can't feel my legs.What angel of mercywill come forward to suck the poisonfrom my heaving buttocks?I will have order in this court. Order!Order, please!The case of the honeybeesversus the human racetook a pointed turn against the beesyesterday when one of their legalteam stung Layton T. Montgomery.- Hey, buddy.- Hey.- Is there much pain?- Yeah.I...I blew the whole case, didn't I?It doesn't matter. What matters isyou're alive. You could have died.I'd be better off dead. Look at me.They got it from the cafeteriadownstairs, in a tuna sandwich.Look, there'sa little celery still on it.What was it like to sting someone?I can't explain it. It was all...All adrenaline and then...and then ecstasy!All right.You think it was all a trap?Of course. I'm sorry.I flew us right into this.What were we thinking? Look at us. We'rejust a couple of bugs in this world.What will the humans do to usif they win?I don't know.I hear they put the roaches in motels.That doesn't sound so bad.Adam, they check in,but they don't check out!Oh, my.Could you get a nurseto close that window?- Why?- The smoke.Bees don't smoke.Right. Bees don't smoke.Bees don't smoke!But some bees are smoking.That's it! That's our case!It is? It's not over?Get dressed. I've gotta go somewhere.Get back to the court and stall.Stall any way you can.And assuming you've done step correctly, you're ready for the tub.Mr. Flayman.Yes? Yes, Your Honor!Where is the rest of your team?Well, Your Honor, it's interesting.Bees are trained to fly haphazardly,and as a result,we don't make very good time.I actually heard a funny story about...Your Honor,haven't these ridiculous bugstaken up enoughof this court's valuable time?How much longer will we allowthese absurd shenanigans to go on?They have presented no compellingevidence to support their chargesagainst my clients,who run legitimate businesses.I move for a complete dismissalof this entire case!Mr. Flayman, I'm afraid I'm goingto have to considerMr. Montgomery's motion.But you can't! We have a terrific case.Where is your proof?Where is the evidence?Show me the smoking gun!Hold it, Your Honor!You want a smoking gun?Here is your smoking gun.What is that?It's a bee smoker!What, this?This harmless little contraption?This couldn't hurt a fly,let alone a bee.Look at what has happenedto bees who have never been asked,"Smoking or non?"Is this what nature intended for us?To be forcibly addictedto smoke machinesand man-made wooden slat work camps?Living out our lives as honey slavesto the white man?- What are we gonna do?- He's playing the species card.Ladies and gentlemen, please,free these bees!Free the bees! Free the bees!Free the bees!Free the bees! Free the bees!The court finds in favor of the bees!Vanessa, we won!I knew you could do it! High-five!Sorry.I'm OK! You know what this means?All the honeywill finally belong to the bees.Now we won't haveto work so hard all the time.This is an unholy perversionof the balance of nature, Benson.You'll regret this.Barry, how much honey is out there?All right. One at a time.Barry, who are you wearing?My sweater is Ralph Lauren,and I have no pants.- What if Montgomery's right?- What do you mean?We've been living the bee waya long time, 27 million years.Congratulations on your victory.What will you demand as a settlement?First, we'll demand a complete shutdownof all bee work camps.Then we want back the honeythat was ours to begin with,every last drop.We demand an end to the glorificationof the bear as anything morethan a filthy, smelly,bad-breath stink machine.We're all awareof what they do in the woods.Wait for my signal.Take him out.He'll have nauseousfor a few hours, then he'll be fine.And we will no longer toleratebee-negative nicknames...But it's just a prance-about stage name!...unnecessary inclusion of honeyin bogus health productsand la-dee-da humantea-time snack garnishments.Can't breathe.Bring it in, boys!Hold it right there! Good.Tap it.Mr. Buzzwell, we just passed three cups,and there's gallons more coming!- I think we need to shut down!- Shut down? We've never shut down.Shut down honey production!Stop making honey!Turn your key, sir!What do we do now?Cannonball!We're shutting honey production!Mission abort.Aborting pollination and nectar detail.Returning to base.Adam, you wouldn't believehow much honey was out there.Oh, yeah?What's going on? Where is everybody?- Are they out celebrating?- They're home.They don't know what to do.Laying out, sleeping in.I heard your Uncle Carl was on his wayto San Antonio with a cricket.At least we got our honey back.Sometimes I think, so what if humansliked our honey? Who wouldn't?It's the greatest thing in the world!I was excited to be part of making it.This was my new desk. This was mynew job. I wanted to do it really well.And now...Now I can't.I don't understandwhy they're not happy.I thought their lives would be better!They're doing nothing. It's amazing.Honey really changes people.You don't have any ideawhat's going on, do you?- What did you want to show me?- This.What happened here?That is not the half of it.Oh, no. Oh, my.They're all wilting.Doesn't look very good, does it?No.And whose fault do you think that is?You know, I'm gonna guess bees.Bees?Specifically, me.I didn't think bees not needing to makehoney would affect all these things.It's notjust flowers.Fruits, vegetables, they all need bees.That's our whole SAT test right there.Take away produce, that affectsthe entire animal kingdom.And then, of course...The human species?So if there's no more pollination,it could all just go south here,couldn't it?I know this is also partly my fault.How about a suicide pact?How do we do it?- I'll sting you, you step on me.- Thatjust kills you twice.Right, right.Listen, Barry...sorry, but I gotta get going.I had to open my mouth and talk.Vanessa?Vanessa? Why are you leaving?Where are you going?To the final Tournament of Roses paradein Pasadena.They've moved it to this weekendbecause all the flowers are dying.It's the last chanceI'll ever have to see it.Vanessa, I just wanna say I'm sorry.I never meant it to turn out like this.I know. Me neither.Tournament of Roses.Roses can't do sports.Wait a minute. Roses. Roses?Roses!Vanessa!Roses?!Barry?- Roses are flowers!- Yes, they are.Flowers, bees, pollen!I know.That's why this is the last parade.Maybe not.Could you ask him to slow down?Could you slow down?Barry!OK, I made a huge mistake.This is a total disaster, all my fault.Yes, it kind of is.I've ruined the planet.I wanted to help youwith the flower shop.I've made it worse.Actually, it's completely closed down.I thought maybe you were remodeling.But I have another idea, and it'sgreater than my previous ideas combined.I don't want to hear it!All right, they have the roses,the roses have the pollen.I know every bee, plantand flower bud in this park.All we gotta do is get what they've gotback here with what we've got.- Bees.- Park.- Pollen!- Flowers.- Repollination!- Across the nation!Tournament of Roses,Pasadena, California.They've got nothingbut flowers, floats and cotton candy.Security will be tight.I have an idea.Vanessa Bloome, FTD.Official floral business. It's real.Sorry, ma'am. Nice brooch.Thank you. It was a gift.Once inside,we just pick the right float.How about The Princess and the Pea?I could be the princess,and you could be the pea!Yes, I got it.- Where should I sit?- What are you?- I believe I'm the pea.- The pea?It goes under the mattresses.- Not in this fairy tale, sweetheart.- I'm getting the marshal.You do that!This whole parade is a fiasco!Let's see what this baby'll do.Hey, what are you doing?!Then all we dois blend in with traffic......without arousing suspicion.Once at the airport,there's no stopping us.Stop! Security.- You and your insect pack your float?- Yes.Has it beenin your possession the entire time?Would you remove your shoes?- Remove your stinger.- It's part of me.I know. Just having some fun.Enjoy your flight.Then if we're lucky, we'll havejust enough pollen to do the job.Can you believe how lucky we are? Wehave just enough pollen to do the job!I think this is gonna work.It's got to work.Attention, passengers,this is Captain Scott.We have a bit of bad weatherin New York.It looks like we'll experiencea couple hours delay.Barry, these are cut flowerswith no water. They'll never make it.I gotta get up thereand talk to them.Be careful.Can I get helpwith the Sky Mall magazine?I'd like to order the talkinginflatable nose and ear hair trimmer.Captain, I'm in a real situation.- What'd you say, Hal?- Nothing.Bee!Don't freak out! My entire species...What are you doing?- Wait a minute! I'm an attorney!- Who's an attorney?Don't move.Oh, Barry.Good afternoon, passengers.This is your captain.Would a Miss Vanessa Bloome in 24Bplease report to the cockpit?And please hurry!What happened here?There was a DustBuster,a toupee, a life raft exploded.One's bald, one's in a boat,they're both unconscious!- Is that another bee joke?- No!No one's flying the plane!This is JFK control tower, Flight 356.What's your status?This is Vanessa Bloome.I'm a florist from New York.Where's the pilot?He's unconscious,and so is the copilot.Not good. Does anyone onboardhave flight experience?As a matter of fact, there is.- Who's that?- Barry Benson.From the honey trial?! Oh, great.Vanessa, this is nothing morethan a big metal bee.It's got giant wings, huge engines.I can't fly a plane.- Why not? Isn't John Travolta a pilot?- Yes.How hard could it be?Wait, Barry!We're headed into some lightning.This is Bob Bumble. We have somelate-breaking news from JFK Airport,where a suspenseful sceneis developing.Barry Benson,fresh from his legal victory...That's Barry!...is attempting to land a plane,loaded with people, flowersand an incapacitated flight crew.Flowers?!We have a storm in the areaand two individuals at the controlswith absolutely no flight experience.Just a minute.There's a bee on that plane.I'm quite familiar with Mr. Bensonand his no-account compadres.They've done enough damage.But isn't he your only hope?Technically, a beeshouldn't be able to fly at all.Their wings are too small...Haven't we heard this a million times?"The surface area of the wingsand body mass make no sense."- Get this on the air!- Got it.- Stand by.- We're going live.The way we work may be a mystery to you.Making honey takes a lot of beesdoing a lot of small jobs.But let me tell you about a small job.If you do it well,it makes a big difference.More than we realized.To us, to everyone.That's why I want to get beesback to working together.That's the bee way!We're not made of Jell-O.We get behind a fellow.- Black and yellow!- Hello!Left, right, down, hover.- Hover?- Forget hover.This isn't so hard.Beep-beep! Beep-beep!Barry, what happened?!Wait, I think we wereon autopilot the whole time.- That may have been helping me.- And now we're not!So it turns out I cannot fly a plane.All of you, let's getbehind this fellow! Move it out!Move out!Our only chance is if I do what I'd do,you copy me with the wings of the plane!Don't have to yell.I'm not yelling!We're in a lot of trouble.It's very hard to concentratewith that panicky tone in your voice!It's not a tone. I'm panicking!I can't do this!Vanessa, pull yourself together.You have to snap out of it!You snap out of it.You snap out of it.- You snap out of it!- You snap out of it!- You snap out of it!- You snap out of it!- You snap out of it!- You snap out of it!- Hold it!- Why? Come on, it's my turn.How is the plane flying?I don't know.Hello?Benson, got any flowersfor a happy occasion in there?The Pollen Jocks!They do get behind a fellow.- Black and yellow.- Hello.All right, let's drop this tin canon the blacktop.Where? I can't see anything. Can you?No, nothing. It's all cloudy.Come on. You got to think bee, Barry.- Thinking bee.- Thinking bee.Thinking bee!Thinking bee! Thinking bee!Wait a minute.I think I'm feeling something.- What?- I don't know. It's strong, pulling me.Like a 27-million-year-old instinct.Bring the nose down.Thinking bee!Thinking bee! Thinking bee!- What in the world is on the tarmac?- Get some lights on that!Thinking bee!Thinking bee! Thinking bee!- Vanessa, aim for the flower.- OK.Cut the engines. We're going inon bee power. Ready, boys?Affirmative!Good. Good. Easy, now. That's it.Land on that flower!Ready? Full reverse!Spin it around!- Not that flower! The other one!- Which one?- That flower.- I'm aiming at the flower!That's a fat guy in a flowered shirt.I mean the giant pulsating flowermade of millions of bees!Pull forward. Nose down. Tail up.Rotate around it.- This is insane, Barry!- This's the only way I know how to fly.Am I koo-koo-kachoo, or is this planeflying in an insect-like pattern?Get your nose in there. Don't be afraid.Smell it. Full reverse!Just drop it. Be a part of it.Aim for the center!Now drop it in! Drop it in, woman!Come on, already.Barry, we did it!You taught me how to fly!- Yes. No high-five!- Right.Barry, it worked!Did you see the giant flower?What giant flower? Where? Of courseI saw the flower! That was genius!- Thank you.- But we're not done yet.Listen, everyone!This runway is coveredwith the last pollenfrom the last flowersavailable anywhere on Earth.That means this is our last chance.We're the only ones who make honey,pollinate flowers and dress like this.If we're gonna survive as a species,this is our moment! What do you say?Are we going to be bees, orjustMuseum of Natural History keychains?We're bees!Keychain!Then follow me! Except Keychain.Hold on, Barry. Here.You've earned this.Yeah!I'm a Pollen Jock! And it's a perfectfit. All I gotta do are the sleeves.Oh, yeah.That's our Barry.Mom! The bees are back!If anybody needsto make a call, now's the time.I got a feeling we'll beworking late tonight!Here's your change. Have a greatafternoon! Can I help who's next?Would you like some honey with that?It is bee-approved. Don't forget these.Milk, cream, cheese, it's all me.And I don't see a nickel!Sometimes I just feellike a piece of meat!I had no idea.Barry, I'm sorry.Have you got a moment?Would you excuse me?My mosquito associate will help you.Sorry I'm late.He's a lawyer too?I was already a blood-sucking parasite.All I needed was a briefcase.Have a great afternoon!Barry, I just got this huge tulip order,and I can't get them anywhere.No problem, Vannie.Just leave it to me.You're a lifesaver, Barry.Can I help who's next?All right, scramble, jocks!It's time to fly.Thank you, Barry!That bee is living my life!Let it go, Kenny.- When will this nightmare end?!- Let it all go.- Beautiful day to fly.- Sure is.Between you and me,I was dying to get out of that office.You have gotto start thinking bee, my friend.- Thinking bee!- Me?Hold it. Let's just stopfor a second. Hold it.I'm sorry. I'm sorry, everyone.Can we stop here?I'm not making a major life decisionduring a production number!All right. Take ten, everybody.Wrap it up, guys.I had virtually no rehearsal for that.